A young woman married to a man with dark, dangerous compulsions finally convinces him to walk away from the life he's been hiding. When outside forces threaten the quiet future they've built together, she's pulled into choices she never imagined making, raising questions of love, complicity, and how far devotion can stretch before it breaks something inside the person doing the loving.
Sick Puppy is a 2026 Canadian psychological horror thriller written and directed by Jay Reid in his feature directorial debut. The film follows Charlie (Natasha Calis), a woman whose husband, John (Brett Geddes), harbours a violent secret he has agreed to leave behind for her sake. As their attempt at a stable suburban life is destabilised by outside pressure, Charlie finds herself taking increasingly drastic action to protect the man she loves, even from himself.The supporting cast includes Dylan Taylor, Rachel Boyd, Julia Dyan, Precious Chong, Tony Nappo, and Natalie Dale. The film is produced by Jason Arsenault, Jason Scott Goldberg, David Multari, Natalie Dale, and Reid, and is distributed by Dark Sky Films.Set in a contemporary suburban Canadian world, the film leans into themes of love, complicity, moral collapse, codependency, and identity, told through a pitch-black comic register. It premiered in the Discovery section of FrightFest London in August 2025. It is suited to viewers of dark comedy, horror, and psychological thrillers in the vein of domestic noir storytelling.
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Fun Facts
Canadian filmmaker Jay Reid's first feature had its world premiere at FrightFest London on August 25, 2025, before Dark Sky Films acquired it for a North American theatrical and digital rollout on May 22, 2026.
Rather than centering on the murderer, the story follows Charlie, who is complicit in her husband John's crimes. When he agrees to quit killing for her, she buys him a pottery wheel as an anniversary gift to help distract him from his "addiction."
Multiple festival reviewers noted the film's darkly comedic tone works best when it's razor-sharp, but argued the final act lingers too long — with one critic writing that had it "wrapped up about fifteen minutes earlier, it might have landed much stronger."
Reviewers describe the film as blending "absolutely ridiculous humour" with genuinely vile horror, creating a tone that shifts between domestic drama, dark comedy, and graphic thriller — a mix some critics found ingeniously twisted and others felt was uneven.