The Adderall Diaries(2016)

Name: The Adderall Diaries
Director: Pamela Romanowsky
Genre: Crime, Drama, Mystery, Thriller
Released: Apr 15, 2016
Cast: Stephen Elliott

A24

R
Rated R for language throughout, drug use, sexuality, and some aberrant and disturbing content
1h 27m

Release Date: Apr 15, 2016

Elliot, a troubled former successful writer decides to write about a missing wife and the following murder trial of her husband.

Release Details

Original Release | Apr 15, 2016 | Limited

View Advanced Data Watch on

Box Office Results

Results

Opening Weekend US & Canada:
$5,517
Total US & Canada:
$13,191
Total International
$2,173
Total Worldwide:
$15,364

Current Showtimes

orround

Wed Aug 26
Thu Aug 27
Fri Aug 28
Sat Aug 29
Sun Aug 30
Mon Aug 31
Tue Sep 1

Director & Top Cast

Pamela Romanowsky
Director

Stephen Elliott
Actor

Technical Specifications

Aspect Ratio: 2.35 : 1

Other Details

Country of Origin: United States

Language: English,Spanish

Summaries

Plot Summary

Stephen Elliott is a successful author with a troubling childhood. His mother died when he was a child and his father was physically and psychologically abusive. He has lived most of his life behaving very destructively and abusing drugs and committing petty vandalism. He had recently gotten a deal to write his next book and decided to write about Hans Reiser, a software guru who developed the Reiser file-system. He had a volatile marriage and his wife has gone missing. Despite his claims that his wife has simply gone into hiding to hurt him, the cops arrested him for her murder and he is now on trial. Stephen is attending court every day and following the case, in hopes of writing a best seller. His previous book was a memoir about his childhood that is about to get released. At the release party, he is reading from his book talking about how his late father hurt and abused him and his father Neil Elliott stands up in the crowd and calls him a liar. This causes him to question his childhood memories. In despair, he gets high, goes to a club, and sleeps with a random person. He wakes up in the middle of the next day and checks his voice-mails, which include his publisher dropping him for missing an important meeting, and a girl he was starting a relationship with dumping him. To make matters worse, he realizes that he also slept through the jury announcing their verdict on Hans Reiser, finding him guilty of murder. He connects with his father and realizes that he is dying and wants to make amends. While talking, he figures out that while Neil made some parenting mistakes, Stephen is falsely remembering his father being downright abusive. A recurring memory of his father handcuffing him until he bled was because Stephen was trying to kill himself and Neil was desperately trying to restrain him. In the end, he writes over the course of two days about making amends with his father. His agent reads it and loves it. She agrees to find him another publisher. Meanwhile, it is revealed in the news that Hans has finally admitted to killing his wife because she was going to leave him and take his kids and he killed her in anger. He has shown the cops where her body is buried in exchange for a lesser sentence.

Storyline

As a writer stymied by past success, writers block, substance abuse, relationship problems and a serious set of father issues, Elliott's cracked-out chronicle of a bizarre murder trial amounts to less than the sum of its parts. Not long into the 2007 trial of programmer Hans Reiser, accused of murdering his wife, the defendant's friend Sean Sturgeon obliquely confessed to several murders (though not the murder of Reiser's wife). Elliott, caught up in the film-ready twist and his tenuous connection to Sturgeon (they share a BDSM social circle), makes a record of the proceedings. The result is a scattered, self-indulgent romp through the mind of a depressive narcissist obsessed with his insecurities and childhood traumas. — Publisher's Weekly Writer and Adderall enthusiast Stephen Elliott reaches a low point when his estranged father resurfaces, claiming that Stephen has fabricated much of the dark childhood that fuels his writing. Adrift in the precarious gray area of memory, Stephen is led by three sources of inspiration: a new romance, the best friend who shares his history and a murder trial that reminds him more than a little of his own story.