Guy Miller is on parolee and trying to rehabilitate his life, but circumstances bring him back to the dangerous Atlanta. And he must live up to his reputation as one of the slickest street operators in a deadly race against the clock.
Guy Miller (Quavo) once owned the Atlanta takeover streets - shutting down intersections, outrunning rivals, and living for the rush. Fresh out of prison and determined to build something different, he's pulled back into the chaos when a high-stakes job spins out of control. What starts as a quick play ignites a citywide chain reaction - rival crews circling, law enforcement tightening its grip, and powerful forces manipulating the night from behind the scenes. With no clean way out and nowhere left to hide, Guy is forced to navigate one relentless night across Atlanta's streets - confronting old loyalties, fractured alliances, and the version of himself he thought he left behind. Co-starring Billy Zane, Serayah, LaMonica Garrett, and Martin Sensmeier, TAKEOVER is brought to life through Trioscope's hybrid animation process, blending live-action performances with a graphic-novel visual treatment that heightens the action without losing its emotional edge. At its core, TAKEOVER is about identity - who you are when the lights come on, and who you become when the streets take over. — Trioscope
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Fun Facts
The film is brought to life through Trioscope's groundbreaking hybrid animation process, which merges live-action performances with a stylized graphic-novel aesthetic — the same technology the studio previously used for Netflix's The Liberator.
The late Migos rapper Takeoff, who was killed in a 2022 shooting, appears in the film in what marks his final on-screen role. His posthumous performance was made possible by the same hybrid animation technology used throughout the movie.
The screenplay was co-written by Jeb Stuart, the seasoned action screenwriter behind classics like Die Hard (1988) and The Fugitive (1993), alongside Brandon Easton.
After wrapping production in Atlanta in 2022, the film made its debut at the 2025 Cannes Film Festival before securing a North American theatrical release on May 8, 2026.