Monk in Pieces(2025)

Name: Monk in Pieces
Director: David C. Roberts
Genre: Documentary
Released: Jul 25, 2025
Cast: Björk, David Byrne, Ping Chong, Meredith Monk, John Schaefer

Zeitgeist Films

1h 34m
- Documentary

Release Date: Jul 25, 2025 | Limited

The boundary-breaking composer and performer Meredith Monk overcame a hostile critical establishment to become one of the great innovators of her generation. Now, Monk faces mortality: can such singular work be performed without her?

Releases

Original Release | Jul 25, 2025

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Box Office Results

Updated as of Jan 25, 2026 06:47 PM ET

Results

Opening Weekend US & Canada:
$10,775
Total US & Canada:
$39,108
Total Worldwide:
$39,108

Current Showtimes

orround

Wed Aug 5
Thu Aug 6
Fri Aug 7
Sat Aug 8
Sun Aug 9
Mon Aug 10
Tue Aug 11

Director & Top Cast

David C. Roberts
Director

Billy Shebar
Director

Björk
Self

David Byrne
Self

Ping Chong
Self

Meredith Monk
Self

John Schaefer

Self

Technical Specifications

Sound Mix: Dolby Surround 5.1

Aspect Ratio: 16:9 HD

Other Details

Country of Origin: United States

Language: English

Summaries

Plot Summary

Meredith Monk - composer, performer, and interdisciplinary artist - is one of the great artistic pioneers of our time, yet her profound cultural influence is largely unrecognized. Featuring interviews with Björk and David Byrne, Monk in Pieces takes the form of a mosaic, mirroring the structure of Monk's own work as it explores her wildly original vocabulary of sound and imagery.Each chapter, anchored by a single song, evokes a key moment in Monk's evolution as an artist. "Memory Song" uses images from her 1981 film Ellis Island (1982) to explore Monk's ancestry and musical roots. "Dolmen Music" features a 1982 performance filmed by Peter Greenaway that displays the complex palette of sounds that inspired a 16-year old Björk to become a singer.Throughout the film we return to scenes of Monk's solitary, day-to-day existence in the Tribeca loft where she has lived and worked since the early 1970s.As a female artist in the male-dominated downtown arts scene of that era, Monk had to fight for recognition and resources. Early reviews in The New York Times were unappreciative, some vicious: "a disgrace to the name of dancing," wrote Clive Barnes, and "so earnestly strange in a talented-little-girl way," wrote John Rockwell. Yet, as her celebrated contemporary, Philip Glass, says in an interview, "she, among all of us, was - and still is - the uniquely gifted one."Vocalizing one day at the piano, Monk had a revelation about the infinite potential of the human voice. From that moment, she focused on developing the unique vocal vocabulary that has come to define her music.Monk in Pieces offers a rare window on Monk's unique process of creating work that is tailored to the voices and bodies of her ensemble. In a chapter about the 1991 premiere of ATLAS at Houston Grand Opera, the film cuts between archival footage of Monk's rehearsals and panicked memos being sent up the HGO hierarchy: "Only three pieces have been worked on. Nothing is written down. I wonder whether the piece will be ready come February." ATLAS, like Monk herself, was ahead of its time, only recently recognized by The New York Times as "one of the defining operatic experiments of the 20th century."In the film's final chapters, Monk faces mortality. We see her warily entrust ATLAS to opera director Yuval Sharon and singer Joanna Lynn-Jacobs for a new production at the Los Angeles Philharmonic. For 60 years, Monk has directed and performed in all of her music theater works; now she must learn to let go. What will happen to such singular work after she is gone?

Storyline

The visionary composer and performer Meredith Monk overcame a childhood eye condition and a hostile critical establishment to become one of the great artistic pioneers of her generation. In the midst of her latest creation, Indra's Net, Monk faces mortality, questioning whether such singular work can be performed without her. Featuring interviews with Björk and David Byrne , Monk in Pieces is a mosaic that mirrors Monk's own style, and illuminates her wildly original vocabulary of sound and imagery. — Billy Shebar