
Takashi Yamazaki is one of Japan’s leading filmmakers specializing in movies with large-scale visual effects, embracing both live-action and anime movies. After working in animation jobs at the Japanese animation group Shirogumi through the late 1980s and the 1990s, Yamazaki broke out as a writer-director with two sci-fi movies, Juvenile (2000) and Returner (2002).
Yamazaki had his international breakthrough with the manga adaptation, Always: Sunset on Third Street (2005) and the sequels, Always: Sunset on Third Street 2 (2007) and Always: Sunset on Third Street 3 (2012).
After adapting for the big screen the Naoki Hyakuta novel, The Eternal Zero (2013), writer-director Takashi Yamazaki co-directed (with Ryuichi Yagi) the animated sci-fi hit, Stand By Me Doraemon (2014), the highest-grossing film in the long-running Doraemon franchise, with a global gross of $183.4 million, and which Yamazaki followed up six years later with the sequel, Stand By Me Doraemon (2020) as well as Stand By Me Doraemon (date to be announced).
Takashi Yamazaki continued to expand his storytelling range with the naval military drama, The Great War of Archimedes (2019), starring Masaki Suda and grossing nearly $18 million globally with Toho as Yamazaki’s regular distributor.
Takashi Yamazaki made one of his most acclaimed films to date, the CGI-animated Lupin III: The First (2019), which echoes many elements of Hayao Miyazaki’s Castle of Cagliostro (1979), premiered at the Annecy Animation Festival, and won best-animated film at the Japanese Academy Awards.
In a change of pace, Yamazaki made his next project Yokaipedia, a feature adaptation (with clear homages to Harry Potter and even Stranger Things) of the Hiroshi Saito/Etsuyoshi Miyamoto fantasy series, Obakezukan. Toho Studios picked writer-director Yamazaki to helm their 33rd Godzilla movie (in 70 years), the three-years-in-the-making Godzilla Minus One (2023), selected as the closing film of the Tokyo Film Festival.
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