Jon Hamm (birthname: Jonathan Daniel Hamm) is firmly fixed in audiences’ imaginations as Don Draper, the complicated and ambitious ad executive at the heart of Matthew Weiner’s groundbreaking series, Mad Men (2007-2015). But his post-Mad Men career has shifted toward the movies, which isn’t surprising since Hamm has a gift for commanding the camera’s attention, perhaps the crucial ingredient that movie stars must have.
Hamm’s pre-Mad Men career proved the kind of tough slog experienced by almost all actors, starting with minor roles in such Hollywood movies as Randall Wallace’s We Were Soldiers (2002) with Mel Gibson, Madeleine Stowe, Greg Kinnear, Sam Elliott, and Keri Russell; David Wain’s Ten Commandments anthology, The Ten (2007) with Paul Rudd, Liev Schreiber, Jessica Alba, Justin Theroux, Winona Ryder, Gretchen Mol, and Oliver Platt; The Day the Earth Stood Still (2008) with Keanu Reeves, Jennifer Connelly, Kathy Bates, and John Cleese; the Allen Ginsberg biopic, Howl (2010), with James Franco, Jeff Daniels, and David Strathairn.
With Ben Affleck’s Boston crime drama, The Town (2010), Jon Hamm rose to co-star status with Affleck, Rebecca Hall, Jeremy Renner, and Blake Lively. He joined the mainly female ensemble for Zack Snyder’s Sucker Punch (2011) with Abbie Cornish, Jena Malone, and Oscar Isaac, followed by Jennifer Westfeldt’s Friends with Kids (2011) with a high-wattage comedy ensemble including Kristin Wiig, Westfeldt, Adam Scott, Maya Rudolph, and Chris O’Dowd. Hamm was the name (and face) above the title of Disney’s Million Dollar Arm (2014), with Aasif Mandvi, Bill Paxton, and Alan Arkin.
Hamm committed to more indie projects after his Mad Men success, including Michael Almereyda’s Marjorie Prime, with Geena Davis and Tim Robbins, in which he was able to dive into a rich role in a sustained theatrical setting; Edgar Wright’s action comedy, Baby Driver (2017) with Ansor Elgart, Kevin Spacey, Jon Bernthal and Eiza Gonzalez; Tribeca festival contender Aardvark (2017), with Zachary Quinto and Marin Ireland; the Mark Pellington/Alex Ross Perry drama, Nostalgia (2018) with Ellen Burstyn, Bruce Dern, Catherine Keener, and Nick Offerman; and the Brad Anderson/Tony Gilroy thriller with Rosamund Pike, Beirut (2018), with Jon Hamm’s name above the title once again.
Jon Hamm has recently opted for a range of unclassifiable projects that mix and match comedy, drama, and action, with the nutty New Line release, Tag (2018) with Jeremy Renner and Ed Helms an ideal example; along with the twisted noir, Bad Times at the El Royale (2018); John Turturro’s The Jesus Rolls (2019); Noah Hawley’s intimate sci-fi Lucy in the Sky (2019) with Natalie Portman and Ellen Burstyn; Clint Eastwood’s docu-drama, Richard Jewell (2019); with Emily Blunt, Jamie Dornan and Christopher Walken in John Patrick Shanley’s comedy-drama Wild Mountain Thyme (2020); and Steven Soderbergh’s crime comedy-drama, No Sudden Move (2021) with Don Cheadle and Benicio Del Toro. Jon Hamm returned to studio blockbusters in 2022 with Tom Cruise in the reboot Top Gun: Maverick.
Hamm starred in the mystery comedy, Corner Office (2022), co-starring Danny Pudi, Sarah Gadon and Christopher Heyerdahl under Joachim Back’s direction, and released by Lionsgate after premiering at the Tribeca Film Festival. Then Hamm headlined and was a lead producer of director/co-writer Greg Mottola’s big-screen adaptation of Gregory McDonald’s crime comedy, Confess, Fletch (2022), the third installment in the Fletch series co-written by Zev Borow, with Annie Mumolo, Roy Wood Jr., John Slattery, Kyle MacLachlan and Marcia Gay Harden, produced by Miramax and released by Paramount Pictures to a disastrous $660,000 box office (based on estimated costs) despite generally positive reviews.
Jon Hamm co-starred with Tina Fey in director/producer John Slattery’s mystery comedy, Maggie Moore(s) (2023), with Nick Mohammed, Happy Anderson, Mary Holland and Louisa Krause, distributed by Screen Media after a Tribeca Film Festival premiere, followed by Hamm joining up again with Fey in a small supporting role in writer/producer Fey’s screen version of her hit musical comedy, Mean Girls (2024), starring Angourie Rice, Renee Rapp, Auli’I Cravalho, Christopher Briney, Jenna Fischer, Busy Philipps, Fey and Tim Meadows under the co-direction of Samantha Jayne and Arturo Perez Jr., produced (in part) by Lorne Michaels’s Broadway Video, and grossing a solid $105 million for Paramount Pictures (based on estimated costs).
Hamm was the voice of Sentinel Prime in the Paramount Animation/Hasbro animated prequel set on Cybertron, Transformers One (2024), starring the voices of Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi, and Laurence Fishburne, under John Cooley’s direction, produced (in part) by Michael Bay and Lorenzo di Bonaventura, but which proved a money-loser for distributor Paramount Pictures with a disappointing $129 million global gross (based on estimated costs).
Hamm played himself opposite lead Zoey Deutch and supporting John Slattery in director/co-writer/producer David Wain’s comedy, Gail Daughtry and the Celebrity Sex Pass (2026), co-written by Ken Marino, co-starring Miles Gutierrez-Riley, Ben Wang and Sabina Impacciatore, produced by Likely Story/Oval-5 and distributed in wide pattern by Sony Pictures Classics after launching at the Sundance Film Festival. Hamm took a lead vocal role in Disney/Pixar’s and director/co-story writer Daniel Chong’s Hoppers (2026), co-starring Piper Curda, Bobby Moynihan, Kathy Najimy and Dave Franco, produced by Pixar Animation Studios and grossing $389 million for Walt Disney Studios Motion Pictures.
Jon Hamm joined the cast of co-writers/producers/co-leads Bob Odenkirk’s, Andrew Friedman’s, and Michael Naughton’s comedy, The Making of ‘Jesus Diabetes’ (date to be announced), directed by Heath Cullens, and produced by OPE Partners/Little Walnut Productions/Tiny Office Productions/RNR Media/Uncompromised Creative. Hamm portrayed William Holden in director/co-writer Stephen Frears’ account of an episode in the lives of Hollywood director Billy Wilder (played by Christoph Waltz) and regular writer-collaborator I.A.L. Diamond (John Turturro), Wilder & Me (date to be announced), co-starring Maya Hawke, co-written by Christopher Hampton and adapted from Jonathan Coe’s novel, produced by Jeremy Thomas with Pandora Filmproduktion (Germany)/Recorded Picture Company (U.K.).