When a Syrian doctor’s desperate decision to flee Aleppo with her young daughter sets off a chain of events, the lives of five strangers from different walks of life collide in a journey across borders and perilous seas. As they search for safety and belonging, their intersecting stories reveal the fragile humanity that endures amid war, displacement, and hope.
Country of Origin: Jordan,Occupied Palestinian Territory,United States
Language: Arabic,Greek,English
Summaries
Plot Summary
I Was a Stranger is a 2026 international drama directed, written, and produced by Brandt Andersen in his feature debut. Based on real-world experiences from millions affected by war and displacement, the film follows multiple characters whose paths intersect after conflict forces them into a shared struggle for survival and a deeper understanding of meaning. Central figures include a Syrian pediatric surgeon and her daughter, a dedicated soldier struggling with conscience, a smuggler trying to save his son, a poet searching for meaning, and a Greek coast guard captain torn between duty and mercy. The story unfolds across several countries and cultures, exploring themes of resilience, compassion, identity, and the universal search for safety and belonging in a fractured world. Shot through with emotional urgency and human complexity, the film blends tragedy with moments of connection and hope, grounded in both personal suffering and collective experience. I Was a Stranger premiered at global festivals under its earlier title The Stranger’s Case and is scheduled for wide theatrical expansion in the United States on January 9, 2026, after a limited run beginning December 31, 2025. With its ensemble cast and deeply human storytelling, the film will resonate with viewers who appreciate heartfelt dramas rooted in real events and global empathy.
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Fun Facts
The night-time dinghy-crossing sequence was filmed on an actual de-commissioned smuggler craft towed into open Mediterranean water; cinematographer Jonathan Sela shot the entire 7-minute scene in a single Steadicam loop—no cuts, no second unit—so every wave-slap and child-shiver you see is happening live, not in a tank.
For the closing shot, the crew built a rotating, cracked bathroom-mirror rig inside a Greek Coast-Guard vessel; as the camera dollies past, the reflection lags 0.4 seconds behind the actor’s movement—no post-production warp, just physical delay captured on set to visualise fractured identity without a single CGI pixel.