First Love(2019)

Name: First Love
Director: Takashi Miike
Genre: Action, Comedy, Crime, Romance
Released: Sep 27, 2019
Cast: Caterina Boratto

Well Go USA Entertainment

TV-MA
1h 48m

Release Date: Sep 27, 2019 | Limited

A young boxer and a call girl get caught up in a drug-smuggling scheme over the course of one night in Tokyo.

Releases

Original Release | Sep 27, 2019

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Box Office Results

Results

Opening Weekend US & Canada:
$21,151
Total US & Canada:
$218,329
Total International
$5,630,226
Total Worldwide:
$5,848,555

Current Showtimes

orround

Mon Apr 13
Tue Apr 14
Wed Apr 15
Thu Apr 16
Fri Apr 17
Sat Apr 18
Sun Apr 19

Director & Top Cast

Takashi Miike
Director

Caterina Boratto
Actor

Technical Specifications

Aspect Ratio: 2.39 : 1

Other Details

Country of Origin: Japan,United Kingdom

Language: Japanese,Mandarin

Summaries

Storyline

Leo is a young boxer, successful but unable to show emotion. He has a fight scheduled and is sure that he will win. Instead, his opponent knocks him out. This triggers a chain of unpleasant events involving drugs, corrupt cops, the Yakuza, a female assassin - and Monica, an escort that he must rescue. It's one hell of a night for Leo. — aghaemi Never mind a New York minute: it's in a Shinjuku second that one risks losing one's head in First Love, and when Midnight Madness institution Takashi Miike is winding the clock, you can trust we mean that literally. The latest from the prolific provocateur gets rolling with all that's north of a Yakuza's neck tumbling into the neon-drenched streets of Tokyo - an indelible image that assures us that, despite the film's starry-eyed title, this is romance in the key of Miike. When the schemes of duplicitous punk Kase (Shota Sometani) go comically awry, doomed boxer Leo (Masataka Kubota) and haunted drug addict Monica (Sakurako Konishi) find themselves inadvertently caught in the cross-hairs of two warring gangs. Over the course of an increasingly ridiculous night, a soulful meet-cute between the two innocents transpires - one injected with that signature brand of poetic pandemonium that Midnighters have grown to revere over the course of Miike's now 104 directing credits. That this infectious pastiche coheres as well as it does is a testament to the grounded foundation laid by frequent Miike collaborator Masaru Nakamura (Dead Or Alive 2: Birds, Sukiyaki Western Django), whose script wittily weaves its hyperbolic characters towards a thoughtful expression of the concept of Hatsukoi (first love). Capturing the yearning that blooms with one's first brush with romantic feeling, Miike and Nakamura cut to the heart of it and distill it down to that instant when a person resolves to live for another besides themselves - be it with fists raised, or swords drawn. — Toronto International Film Festival