
Birthdate: Sep 19, 1967
Birthplace: Kamiichi, Japan
Mamoru Hosoda is an acclaimed, Oscar-nominated Japanese anime filmmaker who—like legendary anime filmmaker Hiyao Miyazaki—created his own animation studio, Studio Chizu, to create his own features known for a darker (than typical anime) narrative and stylistic tone since 2011.
Hosoda made his feature directorial debut with Toei Animation’s manga sequel, One Piece: Baron Omatsuri and the Secret Island (2005), the sixth entry in the One Piece series based on Eiichiro Oda’s manga series and grossing $10.5 million for distributor Toei Co. Hosoda then directed two features for animation studio Madhouse, each written by Satoko Okudera: the lovely sci-fi romance, The Girl Who Leapt Through Time (2006), loosely based on Yasutaka Tsutsui’s 1967 novel, released by Kadokawa Pictures (Japan)/Bandai Entertainment (U.S., in 2008) and subsequently re-released by Funimation in 2016, and winner of the Japan Academy Film Prize for Best Animated Film; as was Hosoda’s sci-fi Summer Wars (2009), an original movie for which Hosoda wrote the story, grossing $18.4 million for distributors Warner Bros. (Japan)/GKIDS (U.S.)/CJ Entertainment (South Korea)/Cathay Organisation (Singapore)/Mighty Media (Taiwan)/Eurozoom (France).
Hosoda launched his feature films at his own Studio Chizu as director/co-screenwriter (with Satoko Okudera)/story writer, with the fantasy drama Wolf Children (2012), released by Toho (Japan)/Funimation (U.S.)/Manga Entertainment (U.K.), earning a box office take of $55 million. Hosoda made his first anime feature as sole director/writer of Studio Chizu’s adventure fantasy The Boy and the Beast (2015), released by Toho (Japan)/Funimation (U.S.)/Gaumont (Europe/StudioCanal (U.K, Ireland)/Madman Entertainment (Australia)/Mongrel Media (Canada) to a dazzling $51.4 million return, and winning Animation of the Year from Japan Academy Film Prize.
Mamoru Hosoda was director/writer of Studio Chizu’s adventure fantasy Mirai (2018), notable for being the first non-Studio Ghibli feature to be nominated for the Oscar’s Best Animated Feature award, premiering in the Cannes Film Festival’s Directors Fortnight competition, and grossing $30.4 million for distributors Toho (Japan)/GKIDS (North America)/Madman Entertainment (Australia, New Zealand)/Anime Limited (U.K., Ireland).
Hosoda directed and wrote the acclaimed fantasy feature, Belle (2021), premiering in the Cannes Film Festival and earning a strong $64.7 million gross for distributors Toho (Japan)/GKIDS (North America)/Charades (France)/Kismet (Australia, New Zealand)/Anime Limited (U.K., Ireland)/Wild Bunch (France)/Koch Media (Italy, German-speaking territories). Hosoda’s fifth Studio Chizu feature (also backed by Nippon Television and Columbia Pictures), and fourth as director/writer, was the Hamlet-inspired fantasy action anime, Scarlet (2025), premiering out of competition in the Venice Film Festival, and released by Toho (Japan)/Sony Pictures Classics (U.S.)/Sony Pictures Releasing International (International outside of U.S.).
Hosoda, previous to his directing career, served as key animator on several of Toei’s feature series, including the Sailor Moon series (1995), the GeGeGe no Kitaro (1996) and the Dragon Ball Z series (1993-1996), and also directed several Toei-produced short films designed for presentation at animation fairs and theme parks, including three shorts in the Digimon Adventure series (1999-2000).
Mamoru Hosoda was born and raised in Kamiichi, Toyama, Japan by his father (a railway engineer) and mother (a tailor). Hosoda studied oil painting at Kanazawa College of Art, from which he graduated. Hosoda is married with two children.
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Recurring Themes: Mamoru Hosoda’s films are frequently concerned with families and digital technology.
Before Animation: Hosoda has not always made animated films, and for a period when he was studying painting at Kanazawa College of Art, he made nearly 50 video art works as well as fiction short films, which he submitted to competitions at the Pia Film Festival and Image Forum Festival.
“Rejected” by Miyazaki: Mamoru Hosoda applied to a training program at Studio Ghibli, but though he failed to pass the program’s exam, whe as informed directly by Hayao Miyazaki that hiring someone of Hosoda’s skills would diminish his talents.
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